The Mystique of Enlightenment - U.G. Krishnamurti
You can never understand the tremendous peace that is always there within you, that is your natural state. Your trying to create a peaceful state of mind is in fact creating disturbance within you. You can only talk of peace, create a state of mind and say to yourself that you are very peaceful -- but that is not peace; that is violence. So there is no use in practicing peace, there is no reason to practice silence. Real silence is explosive; it is not the dead state of mind that spiritual seekers think.
The Mystique of Enlightenment - U.G. Krishnamurti
Is there in you an entity which you call the 'I' or the 'mind' or the 'self'? Is there a co-ordinator who is co-ordinating what you are looking at with what you are listening to, what you are smelling with what you are tasting, and so on? Or is there anything which links together the various sensations originating from a single sense -- the flow of impulses from the eyes, for example? Actually, there is always a gap between any two sensations. The co-ordinator bridges that gap: he establishes himself as an illusion of continuity.
The Mystique of Enlightenment - U.G. Krishnamurti
In the natural state there is no entity who is co-ordinating the messages from the different senses. Each sense is functioning independently in its own way. When there is a demand from outside which makes it necessary to co-ordinate one or two or all of the senses and come up with a response, still there is no co-ordinator, but there is a temporary state of co-ordination. There is no continuity; when the demand has been met, again there is only the unco-ordinated, disconnected, disjointed functioning of the senses.
The Mystique of Enlightenment - U.G. Krishnamurti
It makes no difference to the eyes whether they are focused on a snow-capped mountain or on a garbage can: they produce sensations in exactly the same way. the eyes look on everyone and everything without discrimination. You have a feeling that there is a 'cameraman' who is directing the eyes. But left to themselves -- when there is no 'cameraman' -- the eyes do not linger, but are moving all the time. They are drawn by the things outside. Movement attracts them, or brightness or a color which stands out from whatever is around it. There is no 'I' looking; mountains, flowers, trees, cows, all look at me.
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